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Uploaded 1-May-23
Taken 27-Apr-23
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Keywords:2023), Adrienne Arsht Center, Ambrogio Ian Campbell, Anthony Barrese, Bartolo Kristopher Irmiter, Berta Susan Neves, Composer Maestro Anthony Barrese, Conductor Anthony Barrese, Costumes by Howard Tsvi Kaplan, Count Almaviva, Count Almaviva/”Lindoro” Michele Angelini, Daniel Azoulay Studio, Director Matt Cooksey, Don Basilio Rafael Porto, FI-GA-RO, Figaro, Figaro Young-Kwang Yoo, Figaro costume byHoward Tsvi Kaplan, Fiorello Matthew Cossack, General Director and CEO, Giacomo Puccini’s Gianni Schicchi, Gioacchino Rossini’s The Barber of Seville (Apr%d29 – May 20, Kristin Kuster's, Le Monstre Cathos, Le barbier de Séville ou la précaution, Lighting by BarrySteele, Lindoro, Matt Cooksey, Michael Ching’s, Olin Blitch, Orfeo ed Eurydice, Paisello, Rosina, Rosina Stephanie Doche, Rosina costume by Howard Tsvi Kaplan, SUSAN T%d DANIS, Set design by David Gano, Stephanie Doche, Susann Dennis, The Barber of Seville, Wigs and makeup by Kellen Eason, Young-Kwang, conductor, daniel azoulay, fgo, florida grand opera, in Craig Bohmler's, include Gianni Schicchi, of Ibert's Persée, stage director, stalwart Kristopher Irmiter's
Photo Info

Dimensions2250 x 1500
Original file size284 KB
Image typeJPEG
Color spacesRGB
Date taken27-Apr-23 19:16
Date modified1-May-23 21:04
Shooting Conditions

Camera makeSONY
Camera modelILCE-9M2
Focal length200 mm
Focal length (35mm)200 mm
Max lens aperturef/2.8
Exposure1/250 at f/7.1
FlashNot fired, compulsory mode
Exposure bias0 EV
Exposure modeManual
Exposure prog.Manual
ISO speedISO 3200
Metering modeAverage
Digital zoom1x
20230427_Barber_of_Seville_FGO_DSC0022

20230427_Barber_of_Seville_FGO_DSC0022

The Barber of Seville_ Florida Grand Opera_Adrienne .Arsht Center. FLORIDA GRAND OPERA CUTS UP WITH THE BARBER OF SEVILLE
2022-23 SEASON FINALE REUNITES FAVORITE SOUTH FLORIDA ARTISTS IN HAIR-RAISING COMEDY

Miami and Fort Lauderdale, FL, March 30, 2023 --- An exceptional cast of Rossini specialists and South Florida favorites close out FGO’s 2022-23 season in The Barber of Seville, Rossini’s most popular and successful opera of all time. With an overture made famous by Bugs Bunny and Elmer Fudd, the ubiquitous "Figaro, Figaro, FI-GA-RO" of the work's best-known aria, and nonstop comedic antics, this gem has remained a constant and fresh favorite for over 200 years.
The Spanish Count Almaviva enlists the aid of Seville's favorite factotum, the barber Figaro, to gain access to the home of the elderly lawyer Dr. Bartolo in order to court his ward, Rosina. Rosina is not only beautiful, intelligent, and spirited, but quite wealthy, and Bartolo wishes to take advantage of his legal guardianship to force her into marriage. To ensure that Rosina loves him for himself rather than his title and fortune, Almaviva presents himself to her as "Lindoro," a penniless student. Rosina's love is true. Figaro carries notes between the lovers and helps the Count enter the home under the guises of a drunken soldier with housing orders and a substitute music teacher. Each time, his attempts to escape with Rosina are foiled. Upon discovering these plots, Bartolo convinces Rosina that "Lindoro" is nothing more than a lackey of the wicked Count Almaviva, who is using him to seduce her by proxy. Heartbroken, Rosina agrees to marry Bartolo. Fortunately, Figaro and the Count manage to climb a ladder to her bedroom window, lock Bartolo out, and get the notary to marry Rosina and the Count instead.
The opera is based on 1775's Le barbier de Séville ou la précaution inutile (The Barber of Seville or The Useless Precaution), the first play of the famous trilogy by French polymath Pierre