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Keywords:2023), Adrienne Arsht Center, Ambrogio Ian Campbell, Anthony Barrese, Bartolo Kristopher Irmiter, Berta Susan Neves, Composer Maestro Anthony Barrese, Conductor Anthony Barrese, Costumes by Howard Tsvi Kaplan, Count Almaviva, Count Almaviva/”Lindoro” Michele Angelini, Daniel Azoulay Studio, Director Matt Cooksey, Don Basilio Rafael Porto, FI-GA-RO, Figaro, Figaro Young-Kwang Yoo, Figaro costume byHoward Tsvi Kaplan, Fiorello Matthew Cossack, General Director and CEO, Giacomo Puccini’s Gianni Schicchi, Gioacchino Rossini’s The Barber of Seville (Apr%d29 – May 20, Kristin Kuster's, Le Monstre Cathos, Le barbier de Séville ou la précaution, Lighting by BarrySteele, Lindoro, Matt Cooksey, Michael Ching’s, Olin Blitch, Orfeo ed Eurydice, Paisello, Rosina, Rosina Stephanie Doche, Rosina costume by Howard Tsvi Kaplan, SUSAN T%d DANIS, Set design by David Gano, Stephanie Doche, Susann Dennis, The Barber of Seville, Wigs and makeup by Kellen Eason, Young-Kwang, conductor, daniel azoulay, fgo, florida grand opera, in Craig Bohmler's, include Gianni Schicchi, of Ibert's Persée, stage director, stalwart Kristopher Irmiter's