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Uploaded 12-Apr-25
Taken 27-Mar-25
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Keywords:Ben Benson, Jerome Robbins, Jerome Robbins and Ronald Bates, Les Dickert, Lourdes Lopes, Philip Glass, Ronald Bates, daniel azoulay, daniel azoulay gallery, daniel azoulay studio, glass pieces, jennifer tipton, miami city ballet
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Dimensions4000 x 2667
Original file size6.6 MB
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Date taken27-Mar-25 20:18
Date modified1-Apr-25 16:55
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Camera makeSONY
Camera modelILCE-9M2
Focal length91 mm
Focal length (35mm)91 mm
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ISO speedISO 20000
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20250327_Glass_Pieces_DR_DSC7758-2

20250327_Glass_Pieces_DR_DSC7758-2

Glass Pieces (1983)
Choreography
Jerome Robbins

Music
Philip Glass
Created in 1983, this ballet is a testament to Jerome Robbins’ genius—precision-driven yet fluid, architectural yet deeply human. Set to the pulsing, hypnotic music of Philip Glass, Glass Pieces transforms the stage into a living cityscape, where bodies move like currents in an ever-shifting world.

Glass Pieces is a mesmerizing blend of classical ballet and modern minimalism, capturing the relentless energy of contemporary life. Created in 1983, this ballet is a testament to Jerome Robbins’ genius—precision-driven yet fluid, architectural yet deeply human. Set to the pulsing, hypnotic music of Philip Glass, Glass Pieces transforms the stage into a living cityscape, where bodies move like currents in an ever-shifting world.





The Choreographer
Jerome Robbins (1918–1998) was one of the most influential choreographers of the 20th century, seamlessly bridging ballet and Broadway. A prolific artist, his work ranged from the innovative storytelling of West Side Story and Fiddler on the Roof to groundbreaking ballets for New York City Ballet. Known for his keen musicality and ability to capture the human experience in movement, Robbins infused Glass Pieces with a striking blend of ballet’s classical technique and modern urban energy.

The Score
Philip Glass (b. 1937) is a pioneer of minimalism, known for his hypnotic, repetitive structures that create a sense of endless momentum. His music, often built on looping patterns and gradual shifts, has redefined contemporary classical music and influenced film, opera, and dance.
The score for Glass Pieces draws from three of Glass’s works: Rubric and Façades (from Glassworks, 1981) and excerpts from Akhnaten, his opera about the Egyptian pharaoh. The pulsing rhythms of Rubric drive the ballet’s opening, evoking the rush of a city at peak energy. Façades offers a haunting contrast, with its meditative tones and ghostlike movement. The final s