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Uploaded 26-Feb-25
Taken 19-Oct-23
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Keywords:DA, Adrienne Carter, Alexander Kaden, Andrew Larose, Anna Greenberg, Arnold Quintane, Ashley Knox, Brooks Landegger, CHOREOGRAPHY Jamar Roberts, Cameron, Catazaro, Ciro Fordere, Ciro Forderé, Daniel Azoulay Studio, Edwards Jordan-Elizabeth Long, Francisco Renno, Francisco Schilereft, Gary Sheldon, Hannah Fischer, Jamar Roberts, Jamar Roberts choreographers, Joan Latham, John Hall, Lily, Loourdes Lopez, Lourdes LopezArtistic Director & MCBS Chair, Luiz Silva, MUSIC John Adams, Mary Kate, MaulsbyTaylor, Mayumi Enokibara, Naturkas Jasmine Perry, Roma Sosenko, Rui Cruz, Rul Cruz, Samantha Hope Galler, Satoki Habuchi, Sea Change, Stanislav Olshanskyi, Steven Loch, Tricia Albertson, World Premiere of Sea ChangeRoberts / Adams, adrienne arsht center, ballet, daniel azoulay, mcb, miami city ballet, nathalia arja, piano
Photo Info

Dimensions6000 x 4000
Original file size10.1 MB
Image typeJPEG
Color spacesRGB
Date taken19-Oct-23 19:53
Date modified23-Oct-23 21:08
Shooting Conditions

Focal length178 mm
Focal length (35mm)178 mm
Max lens aperturef/2.8
Exposure1/250 at f/5.6
FlashNot fired, compulsory mode
Exposure bias0 EV
Exposure modeManual
Exposure prog.Manual
ISO speedISO 6400
Metering modeAverage
Digital zoom1x
20231019_Sea_Change_MCB_DR20231019_Sea_Change _DSC1589_DN-severe-noise

20231019_Sea_Change_MCB_DR20231019_Sea_Change _DSC1589_DN-severe-noise

World Premiere of Sea Change
Roberts / Adams
Former Alvin Ailey American Dance Theater artist and choreographer, Miami-native Jamar Roberts returns home for a highly anticipated powerful new work.
Lopez’s original plan was to show new works commissioned by three rising choreographers together in the Spring 2020 program “Ablaze.” Juggling all parties’ schedules, she’s kept her promise piecemeal in presenting choreographer Durante Verzola’s “Sentimiento” last spring, and choreographer Claudia Schreier’s “The Source” in 2022.
Miami native and former Alvin Ailey American Dance Theater member and Ailey’s first-ever resident choreographer Jamar Roberts, the final component of the trio, scratched his initial creation for an entirely new piece titled “Sea Change,” which is also set to different music.
“Jamar was the only one left,” says Lopez, who has seen his choreography through the Guggenheim New York’s “Works & Progress” performance series and its commissioned short video “Cooped,” which he made during the pandemic.
“I thought his film was extraordinary, and he’s a very gentle individual on stage,” says Lopez.
Roberts, a graduate of the New World School of the Arts in Miami, moved to New York in 2001 and first joined the Ailey company in 2002. Taking a break from rehearsal at MCB’s studios, he spoke about his homecoming and how he never got used to Miami’s heat, even as a kid growing up in the Goulds neighborhood.
Now, he says, he’ll put up with a little perspiration to lead master classes at Dance Empire of Miami, where, as a teenager, he discovered his talent, and mentor and chosen family in its artistic director Angel Fraser-Logan. He also drops by whenever he can to teach at her spinoff, eponymous dance company.
Roberts comes to MCB with a stacked résumé. He created “Gêmeos” for Ailey II and “Members Don’t Get Weary” for Alvin Ailey prior to his residency there from 2019-2022, which resulted in four