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Uploaded 3-Jun-23
Taken 21-May-23
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Keywords:Alaina Andersen, Antique Epigraphs, Ashley Knox, Ballet, Daniel Azoulay, Daniel Azoulay Studio, Debussy, Hanna Fischer, Jerom Robbins, John Hall, Karen Fuller Fute Solo, Lourdes Lopez, Madisison McDonough, Miami City ballet, Nathalia Arja, Petra Love, Samantha Hope Galler
Photo Info

Dimensions4000 x 2667
Original file size61.1 MB
Image typeTIFF
Color spacesRGB
Date taken21-May-23 14:12
Date modified3-Jun-23 08:35
Shooting Conditions

Camera makeSONY
Camera modelILCE-9M2
Focal length303 mm
Focal length (35mm)303 mm
Max lens aperturef/5.6
Exposure1/400 at f/5.6
FlashNot fired, compulsory mode
Exposure bias0 EV
Exposure modeManual
Exposure prog.Manual
ISO speedISO 8000
Metering modeAverage
Digital zoom1x
20230521_Antique_Epigraphs_PF_MCB_DSC2350

20230521_Antique_Epigraphs_PF_MCB_DSC2350

Antique Epigraphs is a ballet Miami City Ballet Ballet by ballet master Jerome Robbins. GREAT PERFORMANCES: DANCE IN AMERICA: CHOREOGRAPHY BY JEROME ROBBINS: ANTIQUE EPIGRAPHS /

One in this dance series presented under the umbrella of "Great Performances." In this program, two pieces by choreographer Jerome Robbins are performed by the Miami City Ballet, the opening ballet, "Antique Epigraphs," evokes images of ancient Greece and was inspired by statues that Robbins saw at a museum in Naples. The second dance, "Fancy Free," was choreographed by Robbins in 1944 and has since become an American classic. The witty dance about three sailors on shore leave in New York City marks Robbins' first collaboration with composer Leonard Bernstein. In an interview with Rosamond Bernier, Robbins comments briefly about the beginning of his career and his work with Bernstein.
An all-female cast performs this dramatic and introspective piece, alluding to the earthy fervor and sculptural forms of Greek antiquity.
The first six sections of Antique Epigraphs are set to an orchestrated version of Six Epigraphes Antiques, music originally written as accompaniment for the prose poetry of Pierre Louÿs' Chanson de Bilitis, supposed translations of newly discovered autobiographical poetry of Sappho. The seventh section of the ballet is danced to Syrinx, a melody for unaccompanied flute.